1. like in the poem. Throughout the poem

1. In the poem, Kubla Khan, by Samuel Coleridge- the opening line before the first stanza,
states, ” or, a vision in a dream. A Fragment”, leads to the notion that the poem is a vision
Coleridge is having while asleep. Throughout the poem, there is a sense of vagueness
throughout. For example: when Coleridge writes, “So twice five miles of fertile ground
with walls and towers were girdled round; And there were gardens bright with sinuous
rills, where blossomed many an incense-bearing tree; And here were forests ancient as
the hills, enfolding sunny spots of greenery” (Norton 461). He Is portraying a vagueness
that also has a romantic feel to the enchanted area. The poet describes 10 miles of a
ridged and closed off palace. With bright gardens and blossoming trees lurking on the
ground, and on the other side of the wall holds forestry. Coleridge refrains from going
into great detail about the scenery. Which ties into the illusion of a dream. While one is
dreaming, it may seem to be very vivid at that moment. However, once one wakes up, the
exact description cannot be described. Which leads the dreamer wondering what the
place in their head really look liked, much like in the poem. Throughout the poem
Coleridge continues to explain the nature around the walls and the palace. Then the poet
introduces a foreign girl singing of her native land. The reasoning as to why Coleridge
brought this new character so late into the poem, is unclear. Although this scene does
draw back into the illusion of a “dream”. Sometimes in the unconscious mind, the
dreamer may dream about more than one idea at once. Which looks to be what Coleridge
is presenting towards the end of his poem. In the end the poem finishes out with
Coleridge describing the sounds of music enchanting him, in sweet song. The last stanza
ties up his ideas of the inspiration he has acquired while dreaming and then rewriting on
paper.
2. The connection between man and nature is a major theme in Kubla Khan. Coleridge links
the dome to the river, and then from the gardens to the sea. The poet is describing how
fluid the river flows down the caves and into the sea. Much like how a human’s
imagination can fluidly flow once inspired. The characteristic of the forest being
“ancient” shows that Coleridge is connecting the idea that nature is proof of histories
past. Meaning, nature has been around long before past ancestors. The poem itself
represents the idea that man and nature are connected.
Ancient Mariner
1. In the poem, Rime of the Ancient Mariner, the Mariner was guilty of killing the
Albatross. Killing the bird was considered wrong because It went against the laws of
nature. The Albatross was considered was originally considered a “Christian soul”, in
which the crew “hailed it in God’s name”. So, when the mariner killed the bird he was
essentially killing an innocent soul, which goes against the ten commandments.
Therefore, in repercussion of his actions, the Mariner is cursed for the next 50 years to
walk around with his sin. God loves all his creations; hence, treat others the way you
want to be treated. Therefore, they’re consequences to one’s actions.
2. In result of killing the Albatross, the Mariner is cursed to retell his story to others;
resulting in him reliving his actions over and over. His penance leads him to seek out
chosen listeners to share his experience with. This is in hopes the listener leaves a little
wiser about what is expected from all if God’s creations. Sadly, because the Mariner
chose to disrespect God’s creation, he is now lives forever as a messenger.
3. The poem definitely gave a good message to the reader. One grows closer to God, when
one respects God’s creations. The poem introduces the concepts of Christianity and sin. In
result of the Mariner killing the Albatross out of sport, he is sentenced to his own “living
hell”. The Mariner will ultimately suffer his damned-nation by serving the “word of God”
through his own experiences. Which leaves his sought out listeners a little wiser to the
ways of Christianity.